Chris Blackwell

Christopher Percy Gordon Blackwell (born 22 June 1937) is an English businessman and former record producer, and the founder of Island Records, which has been called "one of Britain's great independent labels". According to the Rock and Roll Hall of Fame, to which Blackwell was inducted in 2001, he is "the single person most responsible for turning the world on to reggae music." Variety describes him as "indisputably one of the greatest record executives in history".

Having formed Island Records in Jamaica on 22 May 1959 when he was 22, Blackwell was among the first to record the Jamaican popular music that eventually became known as ska. Returning to Britain in 1962, he sold records from the back of his car to the Jamaican community. His label became "a byword for uncompromised artistry and era-shaping acts".

Backed by Stanley Borden from RKO, Blackwell's business and reach grew substantially, and he went on to forge the careers of Bob Marley, Grace Jones and U2 among many other diverse high-profile acts. He has produced many seminal albums, including Marley's ''Catch A Fire'' and ''Uprising'','' Free's'' '' Free'' and The B-52's' self-titled debut album in 1979.

Having sold Island in 1989, Blackwell embarked on ventures in "hotels, real estate, resorts, another record company, rum, and his Island Films released ''Kiss of the Spider Woman'' and ''Stop Making Sense'', among others".
In 2022, he published a memoir, ''The Islander: My Life in Music and Beyond''.

Early life

Christopher Percy Gordon Blackwell was born on 22 June 1937 in Westminster, London, England, the son of Joseph Blackwell, a member of the family responsible for the Crosse & Blackwell brand, and Blanche Lindo Blackwell, a Costa-Rican-born Jamaican heiress. The family moved to Jamaica soon after his birth where his father became a major in the Jamaica Regiment.
Though his mother's family, the Lindos, were of Sephardic Jewish heritage, originally from Spain, the family adopted Christianity and became New Christians. His parents divorced when he was 12 years old.

Blackwell spent his childhood in Jamaica, and was sent to Britain to continue his education at Harrow. Deciding not to attend university, he returned to Jamaica to become aide-de-camp to Jamaica's Governor, Sir Hugh Foot. After Foot was transferred to Cyprus, Blackwell left King's House to pursue a career in real estate and other businesses, including managing jukeboxes across the country, which brought him into contact with the Jamaican music community.

In 1958, Blackwell was sailing off Hellshire Beach when his boat ran aground on a coral reef. The twenty-one-year-old swam to the coast and attempted to find help along the shore in searing temperatures. Collapsing on the beach, Blackwell was rescued by Rasta fishermen who tended his wounds and restored him to health with traditional Ital food. The experience gave Blackwell a spiritual introduction to the Rastafarian lifestyle, and was a key to his connection to the culture and its music.

Founding Island Records

Only in his early 20s, Blackwell formed Island Records in 1958 with a start-up investment of $10,000 provided by his parents. The business took its name from Alec Waugh's novel ''Island in the Sun''. Radio personality Graeme Goodall was his initial business partner. Blackwell received an allowance of £2,000 per year from his mother, which enabled him to have his own apartment at a young age and build on the low revenue that the business was bringing in. Island's debut release was a piano and vocal album by Bermudan jazz pianist Lance Hayward. Blackwell began recording Jamaican popular music in 1959, achieving a number one hit there with Laurel Aitken's "Boogie in my Bones/Little Sheila".

In 1961, Blackwell was a location scout and production assistant for the Bond film '' Dr. No'' (1962). After the film wrapped, producer Harry Saltzman offered him a full-time position. Conflicted between music and film, Blackwell visited a psychic, who told him that he would be successful if he stayed in the music industry.

Commercial breakthrough

By the following year, the fledgling record producer had released 26 singles and two albums on Island. Blackwell returned to England that year and continued to grow his business. He began having success with the niche market of Jamaican music, and progressed to bringing in licensed master tapes. One of these contained a performance by Jamaican singer Millie Small (1947–2020), who Blackwell brought over to England. In 1964, he produced Small's cover of a 1956 Barbie Gaye song "My Boy Lollipop" which was one of the first songs recorded in the ska style. Small's version was a 1964 smash hit, selling over 7 million copies worldwide. It launched Island Records into mainstream popular music, and is acknowledged as the first ska hit. It also made Small an international star at such a very young age.

Blackwell later recalled his decision to license the release to Fontana, a part of Philips.

Mainstream success

After discovering The Spencer Davis Group, featuring Steve Winwood, at a performance in Birmingham, Blackwell focused on the rock acts that Island had signed. Island became one of the most successful independent labels of the 1960s, 1970s, and 1980s with an eclectic range of artists, including Traffic, King Crimson, Emerson, Lake & Palmer, Jethro Tull, Cat Stevens, John Cale, Free, Fairport Convention, Nico, Heads, Hands and Feet, John Martyn, Sparks, Spooky Tooth, Nick Drake, Roxy Music, Grace Jones, Ultravox, Eddie and the Hot Rods, Robert Palmer, Jess Roden, Marianne Faithfull, The Buggles, Etta James, Melissa Etheridge, Julian Cope, The Cranberries, Womack and Womack, U2, and others.

Blackwell also signed artists in non-English speaking countries such as French singer Charlélie Couture whose album, ''Poèmes rock'', was released on Island. "The bigger labels are supermarkets", Blackwell remarked. "I like to think of Island as a very classy delicatessen." Yet Blackwell has admitted to turning down some major names, most notably Elton John, whom he considered too shy to become a successful performer.

Island and Blackwell himself became renowned for a relaxed, nurturing approach. Blackwell showed skill in spotting and creating trends, as well as a gift for finding talent. He had an imaginative flair for marketing, and Island's releases were often packaged in lovingly designed gatefold sleeves. Blackwell has said: "I really believe that if people see something that looks good, subconsciously they'll think maybe there's something going on inside, on the record. There were times when somebody came out with a cover which was actually better than the record itself, so I'd have to send them back to remake the record."

Island Records was also the first distribution home for Trojan Records, Chrysalis Records, Bronze Records, Stiff Records, Virgin Records, ZTT, Gee Street Records and the American Labels Shelter Records whose roster included Tom Petty and the Heartbreakers, J.J. Cale and Phoebe Snow and also Sue Records, who produced Jimmy McGriff, The Soul Sisters and Ike and Tina Turner.

Toots and the Maytals

Toots and the Maytals introduced the term "reggae" in song with their single " Do the Reggay" (1968). Having signed Bob Marley, Blackwell added Toots and the Maytals to his roster, and had the final word in their lineup. In November 2016, Jackie Jackson described the formation of the group in a radio interview for Kool 97 FM Jamaica. Accompanied by Paul Douglas and Radcliffe "Dougie" Bryan in studio, Jackson explained,

We were talking about reggae is going international now. We kept on meeting and he (Blackwell) decided that the backing band that back all of the songs, the recording band, should be the Maytals band... And then we hit the road in 1975...we were the opening act for the Eagles, Linda Ronstadt, and Jackson Browne. We were the opening act for The Who for about two weeks.

The first Toots and the Maytals album released and distributed by Island Records was ''Funky Kingston''. Music critic Lester Bangs described the album in ''Stereo Review'' as "perfection, the most exciting and diversified set of reggae tunes by a single artist yet released." As Blackwell says, "Toots and the Maytals were unlike anything else...sensational, raw and dynamic." Blackwell had a strong commitment to the band, describing Toots as "one of the purest human beings I've met in my life, pure almost to a fault". Blackwell appeared in the 2011 BBC
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